• Review Archives
  • Caribbean Literary + Cultural Blogroll
  • Story Sundays
  • Charting Children’s Literature
  • Reading Challenges & Projects
  • Review Policy + Contact Form

Novel Niche: A Place for Books

~ Ruminations, reviews and recipes all cooked in a literary cauldron: al(most always) book reviews, all the time.

Novel Niche: A Place for Books

Tag Archives: Never Mind

45. Never Mind by Edward St. Aubyn (Patrick Melrose # 1)

13 Wednesday Nov 2013

Posted by Shivanee @ Novel Niche in Reviews 2013

≈ 2 Comments

Tags

Edward St. Aubyn, Fiction, Never Mind, Novel, Patrick Melrose, Picador, Review

Published in 1992. This edition: Picador, 2012.

I feel compelled to share with you that my hands are shaking, a little, as I write this down. Reading books like these pry at the elusive answer to the unspoken question of how deeply an experience, literary or otherwise, can mark us, until we begin to chafe gracelessly against the semaphore of its instruction.

Never Mind is the first of British author Edward St. Aubyn’s novels centred on his alter ego protagonist, Patrick Melrose. I came to these books because I was curious about Patrick, about what fictional forces have led to the concretization of his status as one of contemporary English literature’s most formidably-hewn characters, and his author as one of the best living English writers producing work in that language.

I stayed out of horror and awe, both infused with the kind of reverence you don’t even realize you’re giving up willingly while you read. Whether you levy your slackjawed, glassy-eyed admiration freely or with begrudging restraint, it takes no more than a very few pages to realize that prose, in St. Aubyn’s hands, is effortlessly sovereign. He writes with the sort of sleight of hand beauty that might make poets weep, and he has the good grace to wipe his plate clean of indulgent treatments in diction, in the assignation of flasks to purses, of wineglasses to fiercely shaking digits, of bespoke canes to corridor umbrella stands,  immutable and indifferent, receptacles cast in porcelain, green glass and untraceable decay.

Though the origins of decrepitude evade certain timelines, the origin points of disease in the novel’s chief players are subject to a much more rigorous scrutiny. St. Aubyn uses fiction like a paring knife, cunningly training the blade on a single day in the lives of five year old Patrick and his parents, David and Eleanor. The Melroses are expecting a small contingent — two other couples — of dinner guests, a pleasant, intellectually undemanding evening at Eleanor’s family house in the South of France.

Cognizant of the frequently baffling starts and stops of adult humours, the self-sufficient Patrick easily ventures into his private world of childhood play, roaming the grounds of a vast garden that extend into the Melrose holdings. In the imaginatively fertile clutches of this verdant terrain, Patrick is the undisputed king. There is an unashamed curiosity, fringing on tenderness, that the young boy conducts with members of the animal family — behaviours notably missing from his interactions with his parents, or the vaguely warm yet mostly distant maid, Yvette.

“…Patrick had only seen the tree frog twice, but he had stood still for ages staring at its sharp skeleton and bulging eyes, like the beads on his mother’s yellow necklace, and at the suckers on its front feet that held it motionless against the trunk and, above all, at the swelling sides which enlivened a body as delicate as jewelry, but greedier for breath. The second time he saw the frog, Patrick stretched out his hand and carefully touched its head with the tip of his index finger, and it did not move and he felt that it trusted him.”

On this day, Patrick doesn’t espy his favourite lucky tree frog. A different sort of visitation awaits him, one that will alter the pattern of his internal weather, not simply for the remainder of the evening’s social pleasantries, but for a time we cannot, with the limitations of our gaze, yet glimpse.

It would be difficult enough to bear if Patrick’s parents were uniformly, homogeneously wicked, but the inverse is true. Eleanor mires herself near-constantly in drink, to escape the cruelty meted out by David, who administers amoral punishments in line with what he considers his judicious purview. During the course of the miserable spectacle of a dinner party, Eleanor’s miseries are relentlessly pursued across the page. The stifling tedium of her emotional subservience to David is measured out as if in stiff fingers of drink, each furtive gulp of liquor entering her gullet an ineffective balm against days and nights laced with peaceable terror.

Reading David is a master class in pain – in the gnarled roots of its provenance, and in the steady, wincing gait of its unsteady yet triumphant time on earth. We learn more, reading David, than is easy or comfortable to hold, and the more we know about him, the less we wish we knew. In the crucible of his motivations, he reads like an aged Briton of a Patrick Bateman, with his bloodlust diverted into a series of grotesque amusements best served over a course of game and unpalatable, expensive wine. During dinner, having perceived himself vaguely slighted by the antics of his subordinate colleague’s comely-but-gormless girlfriend, David plots.

“Never mind, thought David, I can get her later. In the pursuit of knowledge, there was no point in killing the rabbit before one found out whether its eyes were allergic to shampoo, or its skin inflamed by mascara. It was ridiculous to ‘break a butterfly upon a wheel.’ The proper instrument for a butterfly was a pin.”

Immediately following a calculated act of brutality upon which the novel’s scope and shape hinges, I shared this feverish message with a St. Aubyn devotee: “Reading the first of the Patrick Melrose novels is destroying me in the most delicate of increments. I feel like I’m being precisely gutted, every nick and scrape of my emotional defenses perfectly tallied in this… god, this assiduous, bare-but-gleaming prose. It’s beautiful and terrible, and in the full vein and spirit of so many things I want to do with my own writing that I could weep. It’s a treasure. It’s like reading horror stories in the bright sunshine and feeling ghosts slide up and down your spine like inky regrets. I can’t wait to see how Patrick survives, what he survives. What he becomes. I dread it and I long for more.”

It’s true. It’s all still true. What St. Aubyn proves, in Never Mind, is that there be monsters everywhere, verily, in the safest of places, in the most simperingly polite of cloistered alcove repartee. The writer, you feel, is pinning down an entire poisoned institution to the mat, forcing it to rap its perfumed knuckles to bitumen, snarling at it to give.

Share this:

  • Facebook
  • Pinterest
  • Tumblr
  • Twitter
  • More
  • LinkedIn
  • Reddit
  • Print
  • Email

Like this:

Like Loading...

Sheaves upon sheaves of novel musings straight to your mail!

Join 331 other followers

Novel Niche is Social!

  • Facebook
  • Twitter
  • Instagram
  • Goodreads

The Eternal TBR

Popular Perusals

  • "Birdshooting Season" - Olive Senior
    "Birdshooting Season" - Olive Senior
  • "Ghazal for Becoming Your Own Country" - Angel Nafis
    "Ghazal for Becoming Your Own Country" - Angel Nafis
  • Story Sundays: "Winter Break" by Hilary Mantel
    Story Sundays: "Winter Break" by Hilary Mantel
  • "My God, It's Full of Stars" - Tracy K. Smith
    "My God, It's Full of Stars" - Tracy K. Smith
  • 6. Out on Main Street by Shani Mootoo
    6. Out on Main Street by Shani Mootoo
  • Duane Allicock's Thoughts on The Gift of Rain, by Tan Twan Eng
    Duane Allicock's Thoughts on The Gift of Rain, by Tan Twan Eng
  • 36. Redemption in Indigo by Karen Lord
    36. Redemption in Indigo by Karen Lord
  • A Week in Walcott • "Jean Rhys"
    A Week in Walcott • "Jean Rhys"
  • "Pepper Sauce" - Malika Booker
    "Pepper Sauce" - Malika Booker
  • "Reporting Back to Queen Isabella" - Lorna Goodison
    "Reporting Back to Queen Isabella" - Lorna Goodison

Currently Reading

Just Finished…

What S/H/(W)e Said

  • Revolutionary Mothering in Novel Niche - PM Press on Guest Review: Revolutionary Mothering: Love On The Front Lines
  • Almah LaVon Rice-Faina on Guest Review: Revolutionary Mothering: Love On The Front Lines
  • thecornocopiaallotment on “All Hallows” – Louise Glück
  • Shivanee @ Novel Niche on “I Saw the Devil in the Cane Fields” – Shastra Deo
  • Andrew Blackman on “I Saw the Devil in the Cane Fields” – Shastra Deo
  • “Mirror, Reflect Our Unknown Selves” – Tlotlo Tsamaase | Novel Niche: A Place for Books on “Daphne” – Roberto Rodriguez-Estrada
  • Shivanee @ Novel Niche on “I Saw the Devil in the Cane Fields” – Shastra Deo
  • Andrew Blackman on “I Saw the Devil in the Cane Fields” – Shastra Deo
  • Andrew Blackman on “Can You Speak English?” – Natalie Wee
  • Steve @poetrykoan on “La Brea” – Andre Bagoo

Twitter Updates

  • In conclusion, you too can choose differently, think more curiously and with a desire to emphatically interrogate,… twitter.com/i/web/status/1… 1 day ago
  • and b) if by doing this you're attempting to lick the collective nutsacks of literary high fiction writers, they do… twitter.com/i/web/status/1… 1 day ago
  • If dragging 'bodice rippers' and 'trashy romance novels' is your forte, consider that a) you are operating at the l… twitter.com/i/web/status/1… 1 day ago
  • Whether romance writers experiment with, conventionally dispense, or transgressively subvert the tropes of their in… twitter.com/i/web/status/1… 1 day ago
  • #Bridgerton may not be exquisite storytelling or substance in your POV. That is more than fine. It's also true that… twitter.com/i/web/status/1… 1 day ago

New at Novel Niche

  • Dearly Departed: A Conversation with Anu Lakhan
  • “The Whistler” – A Mary Oliver Primer
  • “The Fish” – A Mary Oliver Primer
  • “Wild Geese” – A Mary Oliver Primer
  • “How to Fix a Dancer When it Breaks” – Genevieve DeGuzman

Categories

  • A Week in Walcott (7)
  • Bookends (24)
    • Author Interviews and Features (3)
    • Bocas Lit Fest (5)
    • Guest Blogs (2)
    • Literary Events (1)
    • Literary Letters (1)
    • Novel Gift Exchanges (4)
    • Reading Ruminations (2)
    • Yourself In Books (2)
  • Charting Children's Literature (4)
  • Give Feral Thanks – A Mary Oliver Primer (3)
  • Guest Reviews (6)
  • Here for the Unicorn Blood (29)
  • Miscellanities (1)
  • NetGalley (2)
  • Other Kinds of Men (26)
  • Puncheon and Vetiver (31)
  • Reading Challenges (11)
    • British Book Challenge 2011 (4)
    • Caribbean Writers Challenge 2011 (5)
  • Requested Reviews (4)
  • Reviews 2010 (9)
  • Reviews 2011 (16)
  • Reviews 2012 (17)
  • Reviews 2013 (3)
  • Reviews 2014 (3)
  • Reviews 2016 (1)
  • Story by Story Reading (1)
  • Story Sundays (14)
  • Trinidad Guardian Sunday Arts Section (8)

Archives

Novel Niche's Eighth Anniversary!April 23, 2018

Tagnificent!

20 Fragments of a Ravenous Youth Alexandra Fuller Andre Bagoo A Queer POC Poetry Reader A Speculative Poetry Reader A Week in Walcott Bocas Lit Fest 2012 Bocas Lit Fest 2013 Brandon O'Brien British Book Challenge 2011 Caribbean Writers Challenge 2011 Carol Shields Catherynne M. Valente Charting Children's Literature Chatto & Windus Chimamanda Ngozi Adichie Chronicle Books Cormac McCarthy Danielle Boodoo-Fortuné Derek Walcott Don't Let's Go to the Dogs Tonight Feature/Interview Fiction Fruit of the Lemon Give Feral Thanks Gregory Maguire Guest Review Half of a Yellow Sun HarperCollins Here for the Unicorn Blood Is Just a Movie Jason McIntyre K. Jared Hosein Karen Lord Lisa Allen-Agostini Littletown Secrets Loretta Collins Klobah Mary Oliver Memoir Midnight in Your Arms Monique Roffey Morgan Kelly NaPoWriMo NetGalley Non-Fiction Novel Novel Gifts Olive Senior Other Kinds of Men Peepal Tree Press Picador Poetry Potbake Productions Puncheon and Vetiver Rajiv Mohabir Reading Ruminations Requested Review Review Rosamond S. King Shani Mootoo Shara McCallum Sherman Alexie Short Story Collection Simon & Schuster Sonia Farmer Stephen King Story Sunday The Allen Prize for Young Writers The Road Trinidad Guardian Sunday Arts Section Unless Vintage/Anchor Books Vintage Books Xiaolu Guo Yourself in Books

Header, divider and button images created by Danielle Boodoo-Fortuné.

Creative Commons License
This work by Shivanee Ramlochan is licensed under a Creative Commons Attribution-ShareAlike 3.0 Unported License.

Blog at WordPress.com.

Cancel
loading Cancel
Post was not sent - check your email addresses!
Email check failed, please try again
Sorry, your blog cannot share posts by email.
Privacy & Cookies: This site uses cookies. By continuing to use this website, you agree to their use.
To find out more, including how to control cookies, see here: Cookie Policy
%d bloggers like this: